Tag Archives: BET

Game Over?

When I heard that Melanie (Tia Mowry Hardrict) and Derwin (Pooch Hall) were not returning to The Game next season I must admit that I drank the Kool-Aid and tuned back in to see how their complicated love story would end.  I even saw most of the episodes I missed after taking a hiatus (during the four day, five season marathon on BET) this past weekend.  Watching episodes from five years ago reminded me of why I was a fan of the show in the first place, and in some ways, the final episode of Season 5 offered a slight, …Read more »

Why I’m (Probably) Not Watching “The Game”

Last year I posted on the return of The Game (yes, it has been a year since it (re)debuted on BET) and offered a critique of the ways in which the characters morphed to fit BET programming, which compromised the integrity of the characters that fans had fought and petitioned for.  After The Game came back on I was disappointed in the ways in which originally nuanced characters had been re-written as the typical black tropes: women who are angry, ghetto, untrustworthy, money-hungry, vindictive, and promiscuous.  And men who are selfish, ghetto fabulous, wreckless, and drug-addicted. I tuned in a …Read more »

The Game Rewind (and Revise)

Last night, CF Asha and I chatted about BETs The Game. We discussed our overall opinion of the series as a whole and the Tuesday (3/1/11) episode specifically. As Crunk Feminist we pay particular attention to the linkages of race, gender, and popular culture and ask for the writers and producers to do better. We posted the edited transcript of our conversation below.  (Note: It’s a bit long, but its a chat so should be a quick read). Ashaf: Where should we start? Chanel: well i think the Meagan Good (Parker) thing is a good place Ashaf: But the season begins with …Read more »

Nicki’s World

As BET gets set to air its documentary about women and hip hop Monday, I am finding my 30-plus, old school feminist-self working hard to gear up to get down with the over-the-top, lyrically layered, brand savvy rapper that is Nicki Minaj. The self-described Barbie is inescapable. She works every rap and R&B hook, and changes her looks to fashion what could be categorized as camp, cultural appropriation or classic sexual objectification.  Until Minaj, I’ve managed to safely maneuver around mainstream new millennium starlets because they offered no more than a cookie-cutter replica of the unique hip hop dynamism I …Read more »

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